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Search results 11051 - 11060 of 30573 matching essays
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11051: Crazyhorse
... just for fun. The media has lead us to believe that the American government was forced to take the land from these savage Indians. We should put the blame where it belongs, on the U.S. Government who lied, cheated, and stole from the Oglala forcing Crazy Horse, the great war chief, and many other leaders to surrender their nation in order to save the lives of their people. In the nineteenth century the most dominant nation in the western plains was the Sioux Nation. This nation was divided into seven tribes: Oglala’s, Brule’, Minneconjou, Hunkpapa, No Bow, Two Kettle, and the Blackfoot. Of these tribes they had different band. The Hunkpatila was one band of the Oglala’s (Guttmacher 12). One of the greatest war chiefs of all times came from this band. His name was Crazy Horse. Crazy Horse was not given this name, on his birth date in the fall ...
11052: Shelley's "Ode To the West Wind": Analysis
Shelley's "Ode To the West Wind": Analysis In "Ode to the West Wind," Percy Bysshe Shelley tries to gain transcendence, for he shows that his thoughts, like the "winged seeds" (7) are trapped. The West Wind ... brings images of religions, angels, and/or souls that continue to create new life. Heavenly images are confirmed by his use of the word "azure" which besides meaning sky blue, also is defined, in Webster's Dictionary, as an "unclouded vault of heaven." The word "azure," coupled with the word "Spring," helps show Shelley's view of rejuvenation. The word "Spring" besides being a literary metaphor for rebirth also means to rise up. In line 9, Shelley uses soft sounding phrases to communicate the blowing of the wind. This ...
11053: Michelangelo, Renaissance Man
Sculptor, painter, architect, Michelangelo was the greatest artist during the Italian Renaissance, a period known for its creative activity (Comptons's, 1998). Michelangelo created many of the works of art that we think of when we think of the Renaissance. In a time where art flourished only with patronage, Michelangelo was caught between the conflicting powers ... follow his own artistic vocation. When Michelangelo was thirteen, his father was a minor Florentine official with connections to the Medici family. At this time his father reluctantly agreed to apprentice him to the city's most prominent painters, the Ghirlandajo brothers (Compton's, 1998). Unsatisfied, because the brothers refused to teach him their art secrets, he played hooky and discovered the gardens of the Monastery of San Marco. Lorenzo the Magnificent, head of the Medici family had ...
11054: Vietnam War
By: Brett Reder Anti-Vietnam Movement in the U.S. The antiwar movement against Vietnam in the US from 1965-1971 was the most significant movement of its kind in the nation's history. The United States first became directly involved in Vietnam in 1950 when President Harry Truman started to underwrite the costs of France's war against the Viet Minh. Later, the presidencies of Dwight Eisenhower and John F. Kennedy increased the US's political, economic, and military commitments steadily throughout the fifties and early sixties in the Indochina ...
11055: Branagh’s Henry V: An Example of Pluralistic Shakespeare
Branagh’s Henry V: An Example of Pluralistic Shakespeare In her essay “Shakespeare and Film: A Question of Perspective,” Catherine Belsey argues for the incapability of film to offer the multiple interpretations that the Elizabethan stage presented. “Film is the apotheosis of the modern, and it is in this sense that it inevitably narrows the plurality of an Elizabethan text.” However, Kenneth Branagh’s Henry V, in its awesome deluge into Shakespearean realism, offered so much more than a poetic history. In light of recent military conflicts, the 1989 film presented one man’s awful discoveries while journeying through the horror of battle even in the light of victory. In this essay, I will argue against Belsey’s limitations of film and using Branagh’s Henry V, retort ...
11056: David Garrick
David Garrick (1716-1779) David Garrick’s contemporaries felt it would be vanity to describe his acting (Stone and Kahrl 27). Vanity has never stopped Shane Davis from doing anything ! David Garrick was considered to be the most influential and skilled actor ... of the character, is a concept that helped lead 18th-century theatre into a new naturalistic era. It was an approach to acting that was directly at odds with the theatrical philosophy prior to Garrick’s inception (Stone and Kahrl 35). Garrick’s innovative style known as naturalism, led the extremely popular and successful actor James Quin to remark " If this [method of Garrick’s] is right, then we are all wrong" ( Cole and Chinoly 131). The ...
11057: Thornton Wilder
... politics (Block and Shedd 959) in his work as the editor, owner, and publisher of a newspaper. Isabella Thornton Niven, his mother, was the daughter of a Presbyterian minister. They were to influence their son's works greatly. Wilder also had a sister, Isabel, who was to become a distinguished novelist in her own right. Wilder's early education began in Hong Kong, where his father was serving as American consul general in Shanghai (Goldstone 11). He was then schooled at Berkeley, California; Chefoo, China; and Ojai, California before completing high school ... by the critics. "Although over-age when America entered World War II, Wilder sought military assignment...and served in Air Force Intelligence in the United States, North Africa and Italy" (Block and Shedd 959). America's involvement in World War II changed Wilder's perspective. "He had too clear an idea of man's limited possibilities..." (Papajewski 109). Wilder wrote, "When you're at war you think about a better ...
11058: Macbeth
Macbeth Images of blood and water occur frequently throughout William Shakespeares Macbeth, the significance of which should not be overlooked. Shakespeare uses these images to portray the horror of the central action, Duncan’s murder. The vibrant images of blood and water also symbolize the unending guilt of the two protagonists, Macbeth and Lady Macbeth. The blood and water represents their inability to erase the memory of Duncan’s murder and the impossibility of ridding their conscience of the unscrupulous deed they committed. The blood of King Duncan becomes too powerful for any amount of water to rinse it clean from Macbeth and Lady Macbeth’s hands. It overpowers their ability to forget their actions and clear their consciences. Duncan's blood on Macbeth and Lady Macbeth’s hands is symbolic of the evil crime that they had committed. The ...
11059: Merchant Of Venice 2
... of Venice, Shakespeare attempts to portray the evil expressed by an individual who develops this way both because of the persecution he is faced with and the insufficient virtues he is given. Few of Shakespeare's characters embody pure evil like The Merchant of Venice's Shylock. Shylock is a usurer and a malevolent, blood-thirsty old man consumed with plotting the downfall of his enemies. He is a malignant, vengeful character, filled with venomous malice; a picture of callous, unmitigated ... the reasons Shakespeare chose to illustrate Shylock as a Jew. According to many historians, Jews of his time were seen as the children of the Devil, the crucifiers of Christ and stubborn rejectors of God's wisdom and Christianity. However, when Shakespeare created Shylock, he did not introduce him into the play as a purely flat character, consumed only with the villainy of his plot. One of the great talents ...
11060: Rudyard Kiplings Kim
By: Tara I must say that Rudyard Kipling's Kim can be interpreted as a project that articulates the "hegemonic" relations between the colonizer and the colonized during British imperial rule in India. Kipling's novel explores how Kim embodies the absolute divisions between white and non white that existed in India and elsewhere at a time when the dominantly white Christian countries of Europe controlled approximately 85 percent of the world's surface. For Kipling, who believed it was India's destiny to be ruled by England, it was necessary to stress the superiority of the white man whose mission was to rule the dark and ...


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