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Search results 9581 - 9590 of 12257 matching essays
- 9581: Propaganda In Film
- ... message across. Frank Capra made the Why We Fight series to help Americans justify fighting a long and costly war. President Roosevelt ordered the first segment, Prelude to War to be shown at military bases, high schools and churches. A theme that many postwar films contained was that peace brings prosperity and that war has to be endured if there was to be hope for a better future and finally that ...
- 9582: Progression Of Islamic Art
- ... command the observer’s attention. The intense action does suit the themes of the painting: war, victory, death, and honor. However, the faces don’t reflect the intensity. Each face is exactly the same with high arched eyebrows that give everyone the look of unnatural surprise. Perhaps, the uniformity of the faces is nothing more than an elaborate repetition of a faced motif. Furthermore, the similarity gives the sense that each ...
- 9583: Processed Art
- ... bit more. The artists of this time were in essence coming down to the level of the peasants, and telling them that they were better than the fancy intellectuals with their idealistic theories and sky-high ideals. Their goal was to associate the ideals of health, family, motherhood and so on with the land rather than some kind of rational evaluation of the situation which wouldn't have favored either the ...
- 9584: Pop Art 2
- ... media, has placed such a negative stigma upon it. The distaste which Pop arouses may be due to a fear, prevalent to those same people, that they will be dragged down from the summits of high art into precisely the environment from which they had been hoping to escape (Welchman, 68); however, distaste alone can not exclude Pop from owning an artistic title. In most arguments contesting the legitimacy of Pop ...
- 9585: Photographic Portraiture
- ... and cultural icons, similarities yet progressions can been seen through a comparison of photographers such as David Bailey, Anne Liebovitz and Rankin one of today's most talked photographers. David Baileys career was at a high between the years of 1957 and 1969 and was most famous for his striking black and white images of icons including John lennon and Paul McCartney; Mick Jagger, Jean Shrimpton and the Kray Twins. At ...
- 9586: Parthenon
- ... had carvings of figurative scenes. The second areas were triangles below the peak of the roof, just above the alternating metopes and triglyphs. The third and last sculpture decorations on the Parthenon were a meter high frieze located just below the ceiling on the exterior of all four walls of the naos. You can see the remaining frieze in the Museum of London. Which were taken by Elgin without the permission ...
- 9587: On Man Ray’s Violin D’Ingres
- ... the cutting edge of their art scene. The photograph works well because so much attention is paid to the nude figure. He models her with the care that one would lavish upon an instrument of high craft. Her head and back make up the frame modeled in precision like a violin. Her right arm is just visible, giving the photograph depth. Also working well is the fact that her head, wrapped ...
- 9588: Norma Rae A Labor Analysis
- ... the weaving room is an outspoken individual and is very out spoken about her poor working conditions such as excessive noise, long hours with short breaks, physical stress from standing for long periods and abnormally high temperatures in the work areas. Added to all this is managementˇ¦s apathy for the working conditions, as seen when her mother looses her hearing temporarily with little or no sentiment from the company doctor ...
- 9589: Movie The Sand Lot
- ... caught one and it went right through it. So Benny let him borrow his. He began to play ball with them every day. In the outfield there is a fence that is about 10 feet high. Whenever they hit a ball over it they would never go and get it. Scottie asked them one day why they didn't go get the calls they hit over the fence and they told ...
- 9590: Monets Green Reflections
- ... complexities of nature nor the intensity of his own feelings in achieving a goal. Monet’s technique developed over many years. By the mid-1880’s Monet, generally regarded as the leader of the impressionist school, had achieved significant recognition. It was with this new-found fortune that Monet purchased the property at Giverny, just outside of Paris. “Green Reflections” was painted in 1906, on this property. His garden was a ...
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