Review of Gyorgi Ligeti's Danse Macarbei This piece is a lesson in polytonality, dissonance, and complexity. The first thing heard is an imitation of a car horn that seems designed to grab hold of the listener. If I were inattentive before this piece, I certainly was wide awake when it was over. Ligeti seems to have sculpted a piece together from bits and pieces of other musical styles: a sort of modern-art approach to music. The violins tuning without a care in the first few moments, the slow mock continuo of the highly dissonant bassoon counterpoint, and the later high pitch of a clarinet all seem to be broad, bold strokes on a canvas of sound. Ideas come floating to the front of the imaginary "stage", and drop back behind newer themes. The percussion also adds considerably to the complexity of the piece in the later minutes, stomping along wit....

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