Banned for social reasons in many conditions and in many school systems, Anthony Burgess’s A Clockwork Orange first seems to pierce the mind with its bizarre linguistic orgy of debauchery, brutality, and sex, and for some, refuses to affect them above the level of pure voyeurism and bloodlust (either for reveling in it or despising it). Sadism seems to twist the male protagonist; his mind becomes alive with brutal fantasies whilst listening to seemingly innocuous classical music ( “There were vecks and ptitsas, both young and starry, lying on the ground screaming for mercy, and I was smecking