In Dostoevsky's novels pain and some heavy burden of the inevitability of human suffering and helplessness form Russia. And he depicts it not with white gloves on, nor through the blisters of the peasant, but through people who are close to him and his realities: city people who either have faith, or secular humanists who are so remote from reality that even when they love humanity they despise humans because of their own inability to achieve or to create paradise on earth. His novels The Brothers Karamazov and Crime and Punishment are best examples of the poisonous effect of such ideals on the common human. The rebellion of these humanists against the system and th