Method in the Madness: Hamlet’s Sanity Supported Through His Relation to Ophelia and Edgar’s Relation to Lear In both Hamlet and King Lear, Shakespeare incorporates a theme of madness with two characters: one truly mad, and one only acting mad to serve a motive. The madness of Hamlet is frequently disputed. This paper argues that the contrapuntal character in each play, namely Ophelia in Hamlet and Edgar in King Lear, acts as a balancing argument to the other character’s madness or sanity. King Lear’s more decisive distinction between Lear’s frailty of mind and Edgar’s contrived madness works to better define the rel