As you have learned, Greek drama evolved from the ritualistic performances of a chorus at the Dionysian festivals. After the actor Thespis stepped out of the chorus and began a dialogue with it, other characters soon followed, and the chorus's role gradually diminished in size (from fifty members to fifteen) and importance. Playwrights kept the chorus as a significant element in their dramas, but its functions were necessarily more limited. Robinson Jeffers, who translated Medea, has also retained the chorus, but has modified its mature slightly. Instead of having it speak in unison, he has assigne